Quando ti dicono: è arrivato il weekend, ed è subito drinkkk! 🍹 @giuliapisanireal ha scelto il suo look per la giornata di oggi....e voi avete scelto il vostro? Fino a questa sera avete il 20% di sconto sulla nuova collezione sia in negozio che online inserendo il codice SPRING20 🤟
Self-Portrait: Sartorial Anarchy #5 , 2013
[Pigment on Satin Paper54 x 36.11 in / 137.2 x 91.72 cm]
In the permanent collection of the RISD Museum and private collections. @risdmuseum .
.
Excerpt below, from: [“The Dandy In The Archive" ..
by author and Yale Prof. Kobena Mercer]: .
.
“Whereas the art world often disdains the fashion world as merely superficial, and the fashion may chide art for taking itself too seriously, the obverse to such side-taking is the envy artists may feel for the popular audiences for fashion and, likewise, whenever fashion wants to be validated by museums such aspirations betray the residual power carried by high/low boundaries. .
.
If the dandy upsets such a stratified lines of cultural distinction, creating uncertainty as to where the serious begins and where the superficial ends, then we would do well to tease out some of the multivalent factors
making dandyism so volatile and mercurial from the very start. .
In the critical intelligence that informs the title chosen for Sartorial Anarchy (2013), we find a significant clue with regard to deciphering the artist’s intentions.
.
The “arch” we find at the root of archive, archetype, or archaic, has a family resemblance to the “arch” in monarchy or patriarchy since the shared etymology makes the idea of origins an ordering principle of authority... “.
.
HAT: Miniature fedora, 1920s
WIG: Macaroni wig, England 1850s
CANE: Zulu (South Africa) fighting stick, 1950s
JACKET: Norfolk jacket 1859/1860 to present
BROOCH: Miniature blue/silver vintage brooch of Philadelphia policeman, circa 1940s
SHIRT: French-cuff, two-tone white & blue collar shirt, 2009
SPATS: Canvas boot spats, WWI, 1900s
SHOES: Dress shoes, 1970s
TROUSERS: Yoruba, Nigeria, 1940s
CHAIR: Antique chair, origin unknown
FLOWER: Gladiolus
TABLE: Vintage side-table, origin unknown
CARPET: Antique Blue Gabbeh rug, circa 1900s/1930s, Iran
. #selfportrait#portraiture#beautiful#love#instagramhub#tbt#photooftheday#instamood#picoftheday #dandy#igers#beautiful#instagramhub#igdaily#art#webstagram#anarchy#distinctdaily#picstitch #sartorial#nigeria#followme#yale#england#risdmuseum#imgrum#color#yooying#repost
Self-Portrait: Sartorial Anarchy #5 , 2013
[Pigment on Satin Paper54 x 36.11 in / 137.2 x 91.72 cm]
In the permanent collection of the RISD Museum and private collections. @risdmuseum .
.
Excerpt below, from: [“The Dandy In The Archive" ..
by author and Yale Prof. Kobena Mercer]: .
.
“Whereas the art world often disdains the fashion world as merely superficial, and the fashion may chide art for taking itself too seriously, the obverse to such side-taking is the envy artists may feel for the popular audiences for fashion and, likewise, whenever fashion wants to be validated by museums such aspirations betray the residual power carried by high/low boundaries. .
.
If the dandy upsets such a stratified lines of cultural distinction, creating uncertainty as to where the serious begins and where the superficial ends, then we would do well to tease out some of the multivalent factors
making dandyism so volatile and mercurial from the very start. .
In the critical intelligence that informs the title chosen for Sartorial Anarchy (2013), we find a significant clue with regard to deciphering the artist’s intentions.
.
The “arch” we find at the root of archive, archetype, or archaic, has a family resemblance to the “arch” in monarchy or patriarchy since the shared etymology makes the idea of origins an ordering principle of authority... “.
.
HAT: Miniature fedora, 1920s
WIG: Macaroni wig, England 1850s
CANE: Zulu (South Africa) fighting stick, 1950s
JACKET: Norfolk jacket 1859/1860 to present
BROOCH: Miniature blue/silver vintage brooch of Philadelphia policeman, circa 1940s
SHIRT: French-cuff, two-tone white & blue collar shirt, 2009
SPATS: Canvas boot spats, WWI, 1900s
SHOES: Dress shoes, 1970s
TROUSERS: Yoruba, Nigeria, 1940s
CHAIR: Antique chair, origin unknown
FLOWER: Gladiolus
TABLE: Vintage side-table, origin unknown
CARPET: Antique Blue Gabbeh rug, circa 1900s/1930s, Iran
. #selfportrait#portraiture#beautiful#love#instagramhub#tbt#photooftheday#instamood#picoftheday #dandy#igers#beautiful#instagramhub#igdaily#art#webstagram#anarchy#distinctdaily#picstitch #sartorial#nigeria#followme#yale#england#risdmuseum#imgrum#color#yooying#repost